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Recent News and Articles on the Keywords: sounds good + violin bow + violin  Related to the article below (Last Update: 6/5/2008)

Students treated to sounds of symphony
Shaunavon Standard, Canada - Jun 2, 2008
Brian says it can take between 200 and 250 hours to build a good violin while bows are a little less time consuming, taking about 30 hours to complete. ...
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Rolling Stone - Jun 2, 2008
Plus, I started with the violin, which was drawing long notes with a bow. I realized that playing longer notes, sustaining them, was more appealing. ...
These strings made for bows
London Free Press, Canada - May 24, 2008
All three London violin aces make beautiful music. Their remarkable stories would sound perfect on CBC Radio and everywhere. Are you listening?

CNN-IBN
Rock pioneer's influence felt all over music
San Diego Union Tribune, United States - Jun 3, 2008
Steeped in blues and trained on violin before he switched to guitar, he was signed in 1955 to Chess Records, the Chicago label that was also home to Muddy ...
Diddley's influence from Stones to U2 The Australian
Rock 'n' Roll Guitar Legend Bo Diddley Dies Voice of America
google news commentComment by Dr. E. Michael Harrington, Professor of Music Music Management and Intellectual Property, WPUNJ
Chicago Tribune - Zap2it.com
all 1,133 news articles »
Secrets of the Guitar Heroes: Jimmy Page
Rolling Stone - May 30, 2008
In the Yardbirds, I was trying the violin bow and the wah-wah, using distortion and echo. I had phase pedals and chorus pedals as time went on. ...
Apocalyptic opening to the summer season
Sofia Echo, Bulgaria - Jun 3, 2008
The four ladies staged a good performance, backed up by a rock band of young musicians to harden the sound of the two violins, one viola and a cello. ...

Live Design
DiGiCo D5T Mixes Eight Plays And 100 Years Of History With The Bard
Live Design, NY - Jun 3, 2008
There are a lot of interesting sounds?like cymbals being played with violin bows?going on up there, plus instruments I?d never come across before,? he ...

New York Daily News
Master violinist Peter Hamparian back in harmony at Morris High School
New York Daily News, NY - May 27, 2008
"It feels like I'm messing up, my E doesn't sound like yours," she said, dropping her bow to her side and resting her violin on one hip. ...
In the spotlight: Armand Melnbardis
Daytona Beach News-Journal, FL - May 29, 2008
... that all these heavy rock sounds like power chords and solo leads are produced in front of them by a violinist with a violin bow and there is no guitar. ...
Thee Silver Mount Zion played Friday night at Turner Ballroom.
OnMilwaukee.com, Milwaukee - May 31, 2008
The band takes a lot of time building and layering the sounds, with low bass frosted with moaning violins, swirling with deep cello sounds, all the while ...
Source: Google News

The Hyperbow controller: real-time dynamics measurement of violin performance -
D Young - Proceedings of the 2002 conference on New interfaces for …, 2002 - portal.acm.org
... heat dissipating capabilities were not nearly as good as those ... indeed models of alto-
gether different sounds, may be ... bow motion and bow force in violin playing ...

The Overtone Violin -
D Overholt - Proceedings of the 2005 conference on New interfaces for …, 2005 - portal.acm.org
... on a custom circuit board that doubles as the violin?s bridge. ... and very precisely
through differential occlusion, and the resulting sound is quite good. 1 ...

Synthesized strings for string players -
C Poepel - Proceedings of the 2004 conference on New interfaces for …, 2004 - portal.acm.org
... In terms of playability the violin of Mathews [5] seems to be very good. ... signal giving
the musician the ability to create new sounds by applying that ...

[PDF] Bowed string physical model validation through use of a bow controller and examination of bow -
S Serafin, D Young - Proc. Stockholm Musical Acoustics Meeting (SMAC), 2003 - media.mit.edu
... a string and give expressive playing its characteristic sound. ... the case of the bowed
string, good tone refers ... same as that which occurs in violin perfor- mances ...

[PDF] The Overtone Violin: A New Computer Music Instrument
D Overholt - Proceedings of the 2005 International Computer Music …, 2005 - create.ucsb.edu
... differential occlusion, and the resulting sound is quite good. ... in an attempt to improve
the quality of sound as compared to other violin pickup systems ...

[BOOK] The Violin Explained: Components, Mechanism, and Sound
J Beament - 2000 - books.google.com
... expertise; the sev- eral hundreds of good instruments which have ... Soundpost, and
Tailpiece 33 4 The Violin Body 51 5 ... and Response 70 6 Hearing String Sound 96 7 ...

[BOOK] The Cambridge Companion to the Violin
R Stowell - 1992 - books.google.com
... a modern bow 28 22 The waveforms and spectra of (a) the force exerted by 32 a bowed
string at the bridge, and (b) the sound radiated by the violin playing the ...

[PDF] Towards a Computer Assisted Violin Teaching Aid
JA Charles, D Fitzgerald, E Coyle - International Symposium on Psychology and Music Education, …, 2004 - audioresearchgroup.com
... need to work on a specific bow stroke or ... of what professional standard violinists
seek in a violin sound. A good sound is produced through a combination of a ...

[PDF] New Frontiers of Expression Through Real-Time Dynamics Measurement of Violin Bows -
DS Young - 2001 - giri.www.media.mit.edu
... nickel-chromium), an alloy characterized by good stability and ... over a vast new realm
of sounds as well ... the classic violin and bow and the scientific study of ...

[PDF] The Control Mechanism of the Violin
K Jensen - Nam-96 Proceedings, 1996 - cs.aaue.dk
... you have continuous control of many dimensions of the sound. ... of parameters necessary
to control a good instrument, rather ... The violin is a bowed, or a plucked ...

Source: Google Scholar


Article adapted by Iconocast from original press release.

Grad student's Hyperbow makes music to measure

Robin H. Ray, News Office Correspondent
July 6, 2006

A Ph.D. candidate in the Hyperinstruments Group of the MIT Media Lab has developed a new electronic sensing system to measure minute changes in the position, acceleration and strain of a violin bow.

The system can be used to evaluate different bowing techniques and may expand the expressive possibilities of the violin by electronic means, according to Diana Young, who built the gesture sensing system for the Hyperbow.

Young recently spoke about her work at the 151st meeting of the Acoustical Society of America (ASA) in Providence, R.I., and at the sixth International Conference on New Interfaces for Musical Expression in Paris.

The Hyperbow is an enhanced bow, used in conjunction with a Hyperviolin. The latter, another product of the MIT Media Lab, is an instrument that makes no sound but creates an electronic output when played. The Hyperviolin can readily be played by anyone used to an acoustic violin.

"Electronic music is a way of combining my interests in music and engineering," Young said.

Young, who has a B.A. in music from Johns Hopkins University and a certificate in violin performance from the Peabody Conservatory, built the gesture-sensing system for her master's degree, which she received from MIT in 2001. Designed as a performance interface for professional violinists, the Hyperbow includes a set of accelerometers, gyroscopes and force sensors all installed on a carbon fiber bow.

Because the system is wireless, it interferes only minimally with the violinist's bowing.

Both the Hyperbow and the Hyperviolin have been played in concert, by the renowned violinist Joshua Bell among others; several composers, including MIT's Tod Machover, have created new compositions for them.

The Hyperbow premiered at the 2002 Conference on New Instruments for Musical Expression in Dublin. (You can hear samples of Hyperviolin music on the Toy Symphony web site, www.toysymphony.net, then follow links for Sound and Images/Dublin - National Symphony Orchestra/AUDIO Samples.)

The Hyperbow is just the latest in a series of Media Lab inventions on the vanguard of musical expression. Hypercello and Hyperinstruments were developed at the Media Lab by Joe Paradiso, Neil Gershenfeld and composer Tod Machover in the 1990s.

An abstract of Young's paper is available via the ASA web site.

A version of this article appeared in MIT Tech Talk on September 13, 2006 (download PDF).

 

 
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